Eagle Reviews. She's everywhere, on their apartment phones, on other people's room phones. News.

HAL goes agile in "Eagle Eye," a shrill, wild thriller about technology attractive over - and not in tickety-boo ways, identical to making coffee for you before you even realize you want it. No, this supercomputer has a factious agenda, which theoretically might seem favourable with the presidential electing approaching. Instead, this half-baked indictment of the Patriot Act and the engagement on awe feels a few years too late - possibly because that's when executive grower Steven Spielberg originally came up with the nugget of an doctrine that "Eagle Eye" would become.

Shia LaBeouf and Michelle Monaghan co-star as Jerry and Rachel, strangers who are artificial to occupation together when their lives are commandeered by an oddly stoical but resolute female agent - adulate the one on your GPS but, you know, evil. She's everywhere, on their chamber phones, on other people's stall phones. She can manoeuvre stop lights and aura traffic, monitor every surveillance camera on the planet and fling messages through TV monitors and electronic billboards. She makes the duo prey upon an armored truck, even cache away aboard a soldierly plane.

But why is she doing this? What does she want? That's the damned simplistic riddle to be uncovered in the motion picture from D.J. Caruso, reuniting with LaBeouf, whom he directed in the 2007 shocker hit "Disturbia.

" (The scenario comes from John Glenn & Travis Adam Wright and Hillary Seitz and Dan McDermott.) Jerry is an underachieving copy cache staff member and Stanford dropout whose similar link brother, a rising Air Force star, recently was killed in a buggy accident. Rachel is a only mom whose brood son is on the means to Washington to effect with the infuse with band at the Kennedy Center. The adventures into which they're thrown become increasingly far-fetched, to the core where they're not even mildly intriguing, just laughably ridiculous.

Caruso has put together a brace of heart-pounding sequences here - a watercourse through the ramps and conveyor belts of an airport shipment hold, for example, is wily and has a merrymaking tangibility about it (though it must have been diligent to shoot). But most of the battle is edited in headache-inducing fashion. A vehicle out through the streets of Chicago is an incoherent, discordant tangle of crushed metal, shattered glass, blaring sirens and flashing lights. LaBeouf and Monaghan, routinely likable and versatile, can't elevate this B-material.

Following the blockbusters "Transformers" and "Indiana Jones and the Kingdom of the Crystal Skull," in which LaBeouf played a callow houseboy on the threshold of adulthood, "Eagle Eye" is starkly meant to corroborate his development as a grown-up. We grasp this because he's sporting just the accomplished total of facial scruff. Better things absotively-posolutely are in store.

Author's link: read more