Not new, but still advantage a face or keep one's ears open (and no less subjugate to modification without notice). BOOK Karen Wilkin, (Rizzoli, $35). If you want to get up to hurry on Morandi, this lavishly illustrated monograph, published in 1998, is the obligation to start.
The most lucid and wise of present-day craftiness critics, Wilkin explains with masterly limpidity why the Italian painter's soft-spoken, deceptively repetitious tabletop microcosms vile middle the greatest achievements of twentieth-century art. Look first, then read--then mien again (TT). CD (JSP, five CDs). After Fats Waller, Louis Jordan was the great exponent of good-time small-group jazz whose pageant value cunningly concealed its lyrical sophistication.
A incredible alto saxophonist who had a dexterity for singing (and picking) side-splitting songs, Jordan put together a "jump band" so appealing that it was successfully marketed to blacks and whites alike, in the deal with leaving an ineradicable emboss on both R&B and initially ivory wobble and roll. This budget-priced, gorgeously remastered five-CD strike set contains all 131 of the recordings Jordan and his combo prepare for Decca between 1938 and 1950, not a few of which topped the charts. Like Waller's recordings, they never not succeed to hit the spot--especially after a long, tiring daylight at the office. Listen to them in tandem with John Chilton's choice 1994.
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