Seymour Nerd. Performance Network's 'Little Shop of Horrors' a enjoyment prize Think.

"Little Shop of Horrors," the 1982 Off-Broadway mellifluous about a man-eating bed and fancy a fundamental of high school theater programs, began pep as a 1960s film, literary perchance most notable for featuring a ephemeral performance by a young Jack Nicholson. The musical’s basis was created by the songwriting duo of Howard Ashman and Alan Menken, just to become the glorious duo of Walt Disney Studios, creditable for such hits as "The Little Mermaid," "Beauty and the Beast," and "Aladdin." The lyrical recently received a big budget revival, this adjust on Broadway, in 2003. The Faustian thread chronicles the adventures of a unaggressive burgeon against clerk, Seymour Krelborn (Jason Richards), who adopts an unexpected exemplar of plant that mysteriously appears following a sum eclipse.

He names it Audrey II after his co-worker and crush, the exquisite but self-love challenged Audrey (Courtney Myers), who is in a relation with an vulgar dentist (Aaron T. Moore). The plant’s uniqueness attracts some attention, but it doesn’t indeed seem to do until Seymour accidentally discovers the key: human being blood. At first, Seymour himself provides nourishment.

But as Audrey II grows, it demands much more. Jason Richards makes an enjoyable, even loveable Seymour, singing with a strong, net purpose and giving the attribute a headliner beyond that of the worn out nerd cliché. His performance to Audrey seems true and heartfelt, especially in their big be in love with duet "Suddenly Seymour" in the in the second place act. Ms. Myers could have added a cheap more vulnerability to her portrayal of Audrey, but she delivers a healthful vocal performance, especially in her contemplative solo, "Somewhere That’s Green." B.J. Love as Mr. Mushnik ––Seymour’s chief –– is grumpy but endearing, and the Greek chorus, consisting of three strongly adept junior ladies (Sharon Brooks, Sharriese Hamilton, and Diviin Huff) afford well done harmonies.

Arguably the hardest work-ng actor in the lob is Aaron T. Moore, who plays not just one, but nine remarkable characters, including the brutal Dr. Orin Scrivello. Moore plays Scrivello with such pornographic elation that, ignoring the character’s incredibly critical personality, he’s clowning to watch.

This production’s handling of the show’s "real" star, Audrey II, showcases the merits of intermittently reimagining shows that have been around for years. Traditionally, Audrey II has been played by a manful actor with a beyond bass voice, and represented onstage by a tremendous marionette resembling a Venus flytrap. This manufacture takes it in a numerous direction, not only casting a female (Naz Edwards), but allowing her to physically change the figurehead plant. It all adds to the campy fun, and fundamentally that’s what it’s all about.

"Little Shop of Horrors" runs though May 9. Weekly performances are Thursdays, Fridays and Saturdays at 8 p.m., Sundays at 2 p.m., with 3 p.m. matinees on April 17 and May 1.

Tickets are priced at $28 to $44 with discounts ready for students, seniors, groups and those under seniority 16. Tickets can be purchased by employment 1-734-663-0681, or online at. Angie M. Lai is a theater undergraduate at Henry Ford Community College. She can be reached at.

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